For example, pitch correction was once an exclusive domain for third-party plug-in developers, but for a while now we’ve seen proprietary pitch correction software built into DAWs (Sonar’s V-Vocal) or an included license to something like Celemony’s Melodyne as a matter of course.Īudio restoration plug-ins haven’t taken off yet – maybe because DAWs have such a focus on new recordings and aside from cleaning up samples from your dusty vinyl collection, if you need to repair or fix your studio session tracks that much, maybe you’re doing something seriously wrong. Also, DAWs are reaching out further to offer an edge over the competition, providing more esoteric plug-ins. Often excellent effects are bundled with the software. We know Digital Audio Workstations are well catered for nowadays when it comes to included processing plug-ins.
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